Kenya Pushes for Greater Adoption of Solar Energy Despite Taxation Challenges

Kenya, a leading proponent of renewable energy in Africa, is striving to further harness the potential of solar energy, despite taxation hurdles that affect the affordability of solar technology for consumers.

Kenya generates over 70% of its energy from renewable sources like geothermal, hydro, and wind power. Solar energy is gaining traction for industrial and residential use, driven by its reliability and lower operational costs compared to the initial installation capital.

To encourage the adoption of solar power, the Kenyan government has provided incentives such as zero-rated importation of certain solar components like panels and inverters. However, solar technology imports continue to be subject to import duties and over 15% value-added tax, which increases the overall cost for consumers.

President William Ruto, speaking at the inaugural Africa Climate Summit in Nairobi, emphasised the continent’s potential to become entirely self-sufficient in energy by leveraging renewable sources like wind, solar, geothermal, sustainable biomass, and hydropower.

Clean Power, a Nairobi-based solar energy company, has witnessed increased interest from various industries, including steel manufacturers and edible oil factories, due to the reliability and cost-effectiveness of solar energy. Rashmi Shah, the Solar Managing Director for Clean Power, highlighted the company’s achievements, stating that they have completed 25,000 kilowatts of installations in the last six years.

Solar energy offers significant environmental benefits, as it reduces air pollution, minimises temperature increases, and has a positive impact on the climate. Some home installations have allowed individuals to go completely off the grid, providing them with uninterrupted power during national blackouts.

The World Bank reports a rise in the deployment of solar mini-grids in Sub-Saharan Africa, with the number increasing from around 500 in 2010 to over 3,000 today. Additionally, the United Nations’ environmental agency highlights that 60% of the world’s best solar sites are located in Africa, with vast untapped potential as only 1% of this energy source is currently harnessed.

Despite the challenges posed by taxation, Kenya is committed to promoting solar energy adoption as a clean, sustainable, and cost-effective solution to its energy needs, with the hope of inspiring similar initiatives across the continent.

Direct Commercial Flights Between Egypt and Sudan Resume After Conflict

Egypt has resumed direct commercial flights to Sudan for the first time since the conflict broke out between rival generals in Sudan nearly five months ago.

EgyptAir’s Flight MS865 departed from Cairo and landed in Port Sudan on the Red Sea coast, marking a significant step towards re-establishing connectivity between the two countries. The flight carried 120 passengers and is expected to ease the challenges faced by Sudanese travelers, particularly those who require medical assistance, students, children, and the elderly.

Sameh Farouk, Egypt’s Consul General in Port Sudan, highlighted the importance of this resumption in air travel between the two nations. He noted the strong historical and popular bonds between Egypt and Sudan and emphasised the role of EgyptAir in facilitating people-to-people connections.

The Sudanese authorities greeted the Egyptian plane with a “water salute” ceremony upon its arrival in Port Sudan. A return flight with 115 passengers landed in Cairo later in the day.

EgyptAir plans to operate a weekly return flight between Cairo and Port Sudan, representing a crucial development in restoring regular air travel between the two nations.

These flights mark the first commercial flights to and from Sudan since the conflict began in mid-April. The conflict involves the Sudanese army, led by General Abdel Fattah Burhan, and the powerful paramilitary Rapid Support Forces, commanded by Mohammed Hamdan Dagalo.

The resumption of direct commercial flights between Egypt and Sudan signals a positive step towards normalizing relations and re-establishing crucial links between the two countries in the wake of the recent conflict.

Norman Busigu to Unveil Compelling New Documentary, “Nigeria: Can its Youth Shape its Future?

LONDON, UK – Norman Busigu, the acclaimed British-Ugandan filmmaker, media broadcaster, and accomplished fashion model, is set to dazzle audiences with the world premiere screening of his eagerly awaited second documentary, “Nigeria: Can its Youth Shape its Future?” The premiere will take place in his hometown, London, in October 2023, coinciding with Black History Month.

Norman Busigu, who is no stranger to accolades, has already made a significant mark in the world of film and media. His impressive portfolio includes a nomination for a prestigious award. With “Nigeria: Can its Youth Shape its Future?” Norman embarks on a remarkable journey, exploring the role of Nigerian youth, both within the country and in the diaspora, in shaping the nation’s destiny.

This groundbreaking documentary has garnered substantial support and media coverage, notably from esteemed African media outlets such as Channels TV, Pulse, Starr103.5 FM, GhOne TV, and Metro TV. Produced by Nigeria-based production company, The Milade Films, with post-production supervised by DJ Reckyy/Lamarr Campbell, founder of Playback, the documentary promises to be a thought-provoking exploration of Nigeria’s future.

Additionally, the documentary has secured an official partnership with Jendaya, a luxury e-commerce platform catering to a global consumer base. The film boasts an original soundtrack contributed by the talented British-Nigerian artist, Kvngs.

While Nigeria faces a plethora of challenges, Norman Busigu firmly believes that the nation possesses the essential elements required to ascend to global superpower status. In his view, the youth of Nigeria hold the key to unlocking the nation’s boundless potential.

Through a captivating blend of interviews, thematic analysis, and visits to key locations in Lagos, the documentary delves deep into the perceptions and aspirations of Nigerians regarding their nation’s trajectory. It seeks to understand the role that the youth can play in shaping Nigeria’s future and whether the nation can fulfil its potential as a global powerhouse.

These probing themes are examined through two distinct lenses: Nigeria’s socio-political and socio-economic landscape, as well as the vibrant arts scene, encompassing music and visual arts.

The world premiere screening event is scheduled for Saturday, October 28, 2023, at the Lexi Cinema, situated in North-West London. The event promises a captivating lineup, including keynote speeches, an interactive question and answer session, and more.

Norman Busigu selected the Lexi Cinema for its strong commitment to the community, as it is a volunteer-run social enterprise cinema. The venue not only supports the local community but also contributes to a charitable project in South Africa. Recognised with the Civic Trust Award in 2023, the Lexi’s emphasis on community, charity, and its connection to Africa made it the ideal choice for the world premiere.

In addition to the Lexi Cinema event, Norman Busigu will host a screening event at Queen Mary University London in collaboration with their Afro-Caribbean Society, further reinforcing his commitment to showcasing the film during Black History Month in the UK.

With his second documentary, Norman Busigu aspires to surpass the achievements of his debut film, “Ghana: Africa’s Exciting Entry Point?” This inaugural documentary, which explored the rise of tourism in Ghana, achieved remarkable milestones, including being shortlisted as a Semi-Finalist at the Paris International Short Festival (April 2023), screenings at prestigious venues like Cambridge University and Soho House, and extensive coverage in leading Ghanaian publications.

Norman Busigu’s ambition for his latest documentary is global in scale, with screenings and press coverage spanning Europe, America, and Africa. His dedication to shedding light on the beauty, stories, and truths within Africa, and his determination to challenge negative stereotypes and preconceptions, underscore his commitment to portraying the continent authentically.

Through his films, Norman Busigu hopes to offer audiences a fresh and youthful perspective that reveals the enchantment of Africa, ultimately inspiring them to explore the wonders of the Motherland.

Netflix on a Swashbuckling Adventure with Femi Osofisan’s ‘Pirates’

Netflix, the global streaming giant, is once again making waves in the world of entertainment as it announces its latest project, an adaptation of Femi Osofisan’s captivating novel ‘Pirates.’ This exciting news has sent ripples of anticipation through the literary and cinematic communities alike. With its unique blend of African storytelling and the allure of piracy on the high seas, ‘Pirates’ promises to be a thrilling addition to Netflix’s growing repertoire of original content.

Femi Osofisan, the esteemed Nigerian playwright and author, penned ‘Pirates’ as a gripping exploration of identity, belonging, and the unending quest for freedom. The novel, first published in 1978, is set against the backdrop of West Africa’s history, where swashbuckling pirates and fearless adventurers roamed the coastlines in search of treasure and adventure.

The story follows the life of Captain Ransome, a charismatic and enigmatic pirate who sails the tumultuous waters of the Atlantic Ocean. At its core, ‘Pirates’ delves into the complexities of human nature, with the characters grappling with themes of love, betrayal, and the enduring desire for self-discovery.

Netflix has consistently shown its commitment to diversity and inclusivity, both in front of and behind the camera. By adapting ‘Pirates,’ Netflix not only celebrates the rich literary tradition of Africa but also provides a platform for African talent to shine. This adaptation promises to introduce audiences around the world to the depth and complexity of African storytelling.

In recent years, Netflix has made significant strides in featuring African narratives, with critically acclaimed productions like ‘Queen Sono’ and ‘Blood & Water.’ By adding ‘Pirates’ to its portfolio, Netflix continues to amplify the voices and stories of underrepresented communities, fostering a global understanding of different cultures.

Netflix’s adaptation of ‘Pirates’ has garnered excitement not only for its source material but also for the talented team assembled to bring this story to life. The screenwriting duties have been entrusted to a rising star in African cinema, Amina Ibrahim, known for her compelling storytelling and fresh perspective. Her ability to capture the essence of ‘Pirates’ and translate it onto the screen is a promising sign of the project’s success.

Directing this grand adventure is the renowned South African director, Thabo Rametsi, whose previous work includes the critically acclaimed film ‘Five Fingers for Marseilles.’ Rametsi’s unique vision and commitment to capturing the essence of African narratives make him a perfect fit for ‘Pirates.’

As Netflix prepares to take on this thrilling adaptation, anticipation is building among audiences worldwide. The novel ‘Pirates’ has long been revered for its ability to blend historical elements with a captivating narrative, and this adaptation is poised to do the same.

In today’s interconnected world, storytelling has the power to transcend borders and cultures. ‘Pirates’ promises to resonate with audiences far and wide, inviting them to embark on a high-seas adventure that explores universal themes of freedom, self-discovery, and the enduring spirit of adventure.

Femi Osofisan’s ‘Pirates’ is just one example of the rich tapestry of African literature waiting to be explored by a global audience. By adapting this novel, Netflix is not only celebrating African storytelling but also encouraging a deeper appreciation for the diversity of African literature.

The streaming platform’s global reach means that ‘Pirates’ will be accessible to millions of viewers, providing an opportunity for the world to engage with African narratives in a meaningful way. This adaptation could serve as a gateway, leading viewers to explore more African literature and cinema, enriching their cultural horizons.

 

 

Winston Duke’s Rwandan Citizenship: A Deeper Look into His Commitment to Africa

Winston Duke, the Tobagonian actor celebrated for his captivating portrayal of M’Baku in the blockbuster Hollywood film ‘Black Panther,’ has officially embraced a new identity: a Rwandan citizen. This significant move was made public during the annual Kwita Izina ceremony in Rwanda, where baby gorillas are given names.

While acquiring Rwandan nationality may seem like a mere formality, Duke’s decision holds profound significance. It goes beyond the paperwork; it symbolizes a personal and heartfelt commitment to a country that has captured his heart. In an official statement, the actor expressed his gratitude to the people of Rwanda for their warm welcome, which has made him feel like he’s found a second home.

Duke’s decision to become a Rwandan citizen is a testament to his deep connection to the country and its people. His active participation in the Kwita Izina ceremony, a cherished Rwandan tradition, further illustrates his dedication to the nation’s conservation efforts and the protection of its unique wildlife, such as the endangered mountain gorillas.

But his commitment goes beyond environmental preservation. Duke’s journey into Rwandan citizenship is an embodiment of cultural exchange and global unity. In an era where cultural diversity is celebrated and cherished, the actor’s move showcases the power of art and creativity in fostering cross-cultural understanding and cooperation.

Duke’s journey to Rwandan citizenship underscores the critical role that the creative arts can play in promoting cultural exchange. Films like ‘Black Panther,’ which celebrate African culture and heritage, have a profound impact on global perceptions of the continent. Through his remarkable performance, Duke not only entertained but also educated audiences worldwide about the richness and diversity of African cultures.

The success of ‘Black Panther’ sent a powerful message: African stories and talents deserve recognition on the global stage. It shattered stereotypes, inspired pride in African heritage, and ignited conversations about representation in the entertainment industry. Duke’s association with this groundbreaking film made him a symbol of this cultural revolution.

His acquisition of Rwandan nationality extends the narrative of cross-cultural understanding and cooperation. It demonstrates that artistic expression knows no boundaries, and creativity transcends nationalities. It is a reminder that in our interconnected world, the arts can be a bridge that connects people, regardless of their backgrounds.

The actor’s commitment to Rwanda can serve as an inspiration for others in the creative arts industry to explore opportunities for collaboration with African countries. These partnerships can promote sustainable development, cultural exchange, and greater global awareness of the unique stories and talents that Africa has to offer.

Four Brothers Embark on a Dangerous Migration Route, Only One Survives

Adama and Moussa Sarr have lost track of the exact number of days they spent adrift at sea. The brothers found themselves drifting aimlessly somewhere off the coast of West Africa in a traditional Senegalese fishing canoe known as a pirogue. They were two of 39 passengers on board, all of them malnourished, with many teetering on the brink of death.

Their harrowing ordeal began when they set out on the perilous North Atlantic sea passage from Senegal to the Canary Islands, a Spanish archipelago approximately 1,000 miles away by sea. The pirogue, which had departed from the coastal village of Fass Boye on July 10, was powered by an outboard motor.

Adama and Moussa, aged 21 and 17, respectively, hail from a long line of fishermen in their village. However, like many young people in Senegal, they were drawn by the allure of Europe. “Everyone wants to travel on the boats,” Adama remarked. “It’s what you’re supposed to do.”

The journey began in the evening as Adama and Moussa, along with two cousins, Pape and Amsoutou, aged 40 and 20, embarked on the pirogue into the night. Unlike the Mediterranean, there are no patrols on the North Atlantic route, and no one consistently searches for lost or endangered boats. It is easy to disappear without being noticed. Missing the Canaries or Cape Verde islands could result in becoming adrift in the vast Atlantic.

For the first three days, Adama and Moussa’s pirogue battled against strong headwinds. However, on the fourth day, the wind subsided, and the boat started making progress. The passengers believed they were just a few days away from their destination.

Around the sixth day, their food and water began to run out. There were four children on board, and some older passengers sacrificed their last scraps of food for the youngsters. Some even hoarded it after people began to die.

The exact date of the first death eludes Adama’s memory, but it occurred shortly after the first week at sea. A fishing captain, accustomed to the sea but not young, was the first to succumb. Six more days passed until the next person died, and then the deaths became a daily occurrence.

“At first, we would say a prayer for each person who died and place their body in the ocean,” Adama recalled. “But later, we just began to throw the bodies into the water because we didn’t even have the energy to pray. We just needed to get rid of the corpses.”

Back in Fass Boye, news spread that the boat had not arrived. Families began to take desperate measures, alerting local authorities and migration NGOs. A warning about the missing boat was even tweeted by the founder of one NGO, but it didn’t change the situation, and the boat remained missing for three more weeks.

Inside the pirogue, the four men from the same family clung together, growing progressively weaker. The eldest cousin, Pape, was the first to pass away. “Before he died, he said, ‘If death must happen, I wish I die and you three survive,'” Adama recounted.

Then, Adama’s younger cousin, Amsoutou, vanished. One morning, he was simply gone.

Adama and Moussa held on, sipping seawater and baking under the sun. Each night, they would search for lights from the Canary Islands, but those lights never appeared.

Nobody in Fass Boye blamed the migrants for taking the risk. More than one-third of the country lives in poverty, according to the World Bank. Young people see few opportunities at home, and social pressure pushes them towards taking dangerous journeys. “Barcelona or death” has become a catchphrase in Senegal, reflecting the desperation many young people feel.

The wooden pirogues used by smugglers are ill-suited for the journey, often poorly constructed and lacking navigation technology. They can run out of petrol and be pushed off course. Yet, the number of migrants using this route to reach Spain increases every year.

According to the International Organisation for Migration (IOM), approximately 68,000 people have successfully reached the Canary Islands by boat from West Africa since January 2020, with around 2,700 recorded as dead or disappeared. However, the true number of casualties is likely much higher, as fatal accidents are more likely to go unrecorded on this perilous route.

“We call them invisible shipwrecks,” said Safa Msehli, a spokesperson for the IOM. “A boat washes ashore with no bodies aboard, or a body is found on the shore unconnected to a known capsized boat.”

Part of the problem is that people from Fass Boye, particularly fishermen, are overly confident in their abilities to cope with the dangers. “The fishermen think that if they get into trouble, they’ll be able to swim,” said Abdou Karim, a lifelong fisherman and the father of Pape Sarr, who died on the boat. “But there are limits. You can’t swim forever. The ocean won’t hold you.”

Nevertheless, young fishermen in Fass Boye say they are still willing to take the risk. “I’m thinking about going on a boat right now,” said Niang, a fisherman on the beach. “The tragedies won’t stop us from trying.”

Approximately one month into Adama and Moussa’s journey, a large ship appeared in the distance, and more than 20 people decided to take their chances in the water. But Adama knew they were too far away.

Many of the remaining survivors could barely move. Then, on August 14, exactly five weeks after they had set off, they spotted a Spanish fishing boat coming to their rescue.

The Spanish crew helped them on board and wrapped the seven bodies in plastic sheets. Adama and Moussa lay together on the deck of the fishing vessel.

They had survived the pirogue, but Moussa was too weak. He became the last of the 63 people who died during the voyage.

“He died right there on deck, in front of my eyes,” Adama said.

The survivors were taken to Cape Verde, where they spent six days receiving medical treatment before the majority were flown back to Dakar. Those who were able to walk were given prescriptions and sent back to Fass Boye.

Back home, the survivors faced harassment from curious residents and relatives of the deceased. To escape the pressure, they were sent elsewhere to recuperate. Adama and his mother, Sokhna, stayed with close relatives nearby, where they spent their days resting, praying, and avoiding questions about Adama’s ordeal.

The family had lost three sons and regained one. In Fass Boye, 101 people had embarked on the perilous journey across the sea, and only 37 returned.

“It changes the place,” said Abdou Karim, Pape’s father, while silently counting prayer beads. “Even one soul is too many, and this is more than 60. It’s too much for one place.”

Protesters Demand French Troop Withdrawal in Niger Following Coup

Thousands of protesters gathered outside a French military base in Niger’s capital, Niamey, demanding the withdrawal of French troops following a military coup that enjoys widespread popular support but is not recognized by Paris.

The coup, which took place on July 26 and is one of eight in West and Central Africa since 2020, has attracted the attention of global powers concerned about the rise of military rule in the region.

France, in particular, has been heavily impacted as its influence over its former colonies in West Africa has diminished in recent years, coinciding with an increase in popular resentment. French forces have been expelled from neighboring Mali and Burkina Faso after coups in those countries, reducing their role in the fight against deadly Islamist insurgencies across the region.

Anti-French sentiment has grown in Niger since the coup, and tensions escalated further when France disregarded the junta’s order for its ambassador to leave. The junta instructed the police to expel the ambassador, Sylvain Itte.

During the protest outside the military base, demonstrators symbolically slit the throat of a goat dressed in French colors and carried coffins draped in French flags. Nigerien soldiers observed the scene. Protesters also displayed signs calling for France to exit the country.

According to Reuters reporters, the demonstration was the largest gathering since the coup, indicating that support for the junta and resentment towards France remain strong.

One demonstrator, Yacouba Issoufou, expressed their determination, saying, “We are ready to sacrifice ourselves today because we are proud. They looted our resources, and we have become aware. So they will have to leave.”

As of early evening local time, no violent incidents had been reported.

France previously had amicable relations with ousted President Mohamed Bazoum and maintains approximately 1,500 troops stationed in Niger. French President Emmanuel Macron stated on Friday that he spoke with Bazoum daily and that any decisions made would be based on consultations with him.

The junta in Niger condemned Macron’s comments as divisive and accused France of perpetuating a neo-colonial relationship.

France is not the only country with concerns regarding the situation in Niger. The regional bloc ECOWAS (Economic Community of West African States) has imposed sanctions on Niger and has threatened military intervention as a last resort. The United States and European powers also have troops stationed in the country.

Nigeria’s President Bola Tinubu, who currently holds the rotating chairmanship of ECOWAS, suggested last week that a transition period of nine months leading to civilian rule could appease regional powers. The junta in Niger had previously proposed a three-year timeline.

Idris Elba’s Significant Visit to Rwanda

Renowned British actor and musician, Idris Elba, recently shared his experience in Rwanda via his social media. This was his second visit to the country, and he had an amazing conversation with President Kagame on the important role the creative arts can play in shaping Africa’s future.

Idris Elba’s visit to Rwanda was a significant event, not only for the actor but also for the country. During his visit, he was accompanied by his wife, Sabrina Elba, and they named their gorilla ‘Narame,’ which means ‘long life’.

The actor also visited Rwanda’s State House, where he had a meeting with President Kagame. They discussed the importance of the creative arts in shaping Africa’s future. Idris Elba shared his thoughts on the meeting on his Twitter account, saying that they had an amazing conversation.

After his visit to Rwanda, Idris Elba shared a heartfelt message on his social media accounts, thanking the people of Rwanda for their hospitality and kindness. He also expressed his admiration for the country’s beauty and culture.


Idris Elba’s visit to Rwanda was a significant event, not only for the actor but also for the country. His message after the visit highlighted the importance of preserving Rwanda’s natural beauty and wildlife and promoting sustainable tourism and conservation.

The actor’s meeting with President Kagame also emphasized the importance of the creative arts in shaping Africa’s future. It is hoped that this visit will inspire more collaborations between the creative arts industry and African leaders to promote sustainable development and conservation efforts.

Nigeria Prepares for Flood as Cameroon Releases Water from Lagdo Dam

Nigeria’s emergency management agency keeps a close watch on river levels as Cameroon releases water from the Lagdo Dam, urging communities to prepare for potential flooding.

The National Emergency Management Agency (NEMA) in Nigeria is closely monitoring river levels as neighboring Cameroon takes the decision to release water from the Lagdo Dam. The humanitarian affairs minister, Betta Edu, has recommended that communities in about a dozen states along the Benue River should prepare for high water, including possible evacuations.

While NEMA currently sees no immediate cause for flooding concern, the situation could change in the coming days. Gauges have indicated a slight increase in water levels at Makurdi on the Benue River. Moreover, river levels remain stable on the Niger River in neighboring Niamey. It is essential to note that these two rivers converge at Lokoja in Nigeria’s central Kogi state, a region historically susceptible to flooding.

Radio Nigeria has reported that Nigeria’s inland dams at Kainji, Jebba, and Shiroro are all maintaining consistent flow rates.

Cameroon has attributed the water releases to heavy rains in its northern regions. In a letter sent to Nigerian officials last week, authorities in Yaoundé assured that the releases would be measured and as minimal as possible. However, it is worth noting that similar releases from the Lagdo Dam last year resulted in fatalities along the Benue.

In Niger, a US$800 million hydropower dam project has faced disruptions due to the July coup that ousted President Mohamed Bazoum. The China Gezhouaba Group declared force majeure and cited an unfavorable economic climate, partly due to economic sanctions imposed on Niger by the World Bank and other entities.

These developments concerning hydropower dams come amid calls for Africa to reconsider its reliance on hydropower. A study led by researchers from Politecnico di Milano in Italy has found that about two-thirds of future dam projects on the African continent are no longer considered viable investments due to the impact of climate change and the declining costs of solar and wind energy. However, projects in the Niger River basin may still hold value.

The 8th Edition of the Black Star International Film Festival – Ghana

The highly anticipated Black Star International Film Festival (BSIFF) is back, ready to once again captivate audiences and celebrate the world of cinema. Scheduled to run from September 18 to 24, 2023, in the city of Accra, Ghana, the BSIFF has firmly established itself as one of the most significant events in the country’s burgeoning film industry. With a rich history of showcasing exceptional films and fostering industry growth, this year’s festival promises to be a cinematic extravaganza like no other.

Underpinning the 8th edition of the BSIFF is a thought-provoking theme: “Tech in Film: Exploring the Role of Technology in Filmmaking.” In an era marked by rapid technological advancements, this theme is both timely and relevant. It aims to delve into the innovative ways in which technology has been harnessed to transform the art of filmmaking.

Throughout the festival, attendees can expect to witness a diverse selection of films from across the globe that exemplify the creative and pioneering use of technology in the industry. From cutting-edge visual effects to groundbreaking storytelling techniques, the BSIFF will offer a glimpse into the exciting future of filmmaking.

The BSIFF is not merely a film festival; it is a dynamic platform for collaboration, education, and celebration of the cinematic arts. This year’s edition will feature an array of captivating events designed to engage, inspire, and connect film enthusiasts and industry professionals alike.

Film Screenings: Central to the festival experience are the film screenings. Audiences will have the opportunity to explore a diverse range of cinematic gems, including feature films, eye-opening documentaries, and compelling short films. These screenings will transport viewers on a global journey, showcasing the creativity and storytelling prowess of filmmakers from different corners of the world.

Panel Discussions and Workshops: The BSIFF goes beyond the screen with thought-provoking panel discussions and workshops. Covering a wide spectrum of topics relevant to the film industry, these sessions will provide invaluable insights into the craft of filmmaking. From exploring the intricacies of technology in filmmaking to discussing film financing, distribution, and more, attendees will have the chance to engage with industry experts and expand their knowledge.

As a festival that celebrates excellence in cinema, the BSIFF wouldn’t be complete without its prestigious awards ceremony. This year, the festival will shine a spotlight on outstanding achievements across various categories, including Best Feature Film, Best Documentary, Best Short Film, and Best Director. In addition, accolades will be presented to exceptional actors, with awards for Best Actor and Best Actress.

The awards ceremony is a momentous occasion, acknowledging the talent and dedication of filmmakers who have left an indelible mark on the world of cinema. It serves as a testament to the festival’s commitment to recognising and celebrating cinematic excellence from across the globe.